Natacha Nicora was born in 1980 in Argentina, where she studied classical and contemporary dance. She moved to Belgium in 1997 and continued her training as a dancer.
In 1999, she began her professional career, which she divides between dance and theater, collaborating with other artists or developing her personal projects, hybrid projects of “trash poetry”.
At the turn of the 2000s, and for two years, she worked with Les ballets C de la B under the direction of Alain Platel and Arne Sierens. She developed a long collaboration with Manah Depauw, performing in one of his creations at the Kunstenfestivaldesarts in 2004. For 10 years, she also performed with the group Toc under the artistic direction of Anne Thuot, who directed texts by Marie Henry. Today, she performs in the public space with Xtnt.
Since 2002, she has also been developing her personal projects, solo and collaborative performances: “Cronopios sin famas”, “Calamar-a-te”, “Solo – Sola?”, “Übernatürliche Pizza” with musician Maxime Bodson and “Uff!!! (the end)”. Dance and theater projects, but also forays into the visual arts, such as those she’s developing with Beata Szparagowska and Sabrina Montiel Soto.
Recently, she has participated in the translation of plays by Rafael Spregelburd: “La Modestia” with the Transquinquennal collective and “La Estupidez” with the Flemish group Tristero.
Curious about pedagogical issues, she is a practitioner of the Feldenkrais method; she is also regularly solicited by the theater section of INSAS in Brussels.