Discovering at an early age the need for movement and effort as an expression of herself in the world, Marinette Dozeville first developed a classical dance curriculum at the CNR de Versailles and then at the Conservatoire Marius Petipa in Paris before obtaining her state diploma at the age of 18. She then trained in contemporary dance at l’Atelier de l’Envol where she discovered the work of numerous choreographers, such as Thierry Malandain, Gigi Caciuleanu, Martin Padron, Serge Ricci, Hervé Diasnas, etc. It is with the latter that she continues to train and collaborate, affirming in this work her affinity for the power of gesture and the engagement of the body on stage. Pursuing her career as a performer and collaborator with Christine Brunel, Valérie Lamielle, Julie Nioche, Catherine Toussaint, Angélique Friant, (…), she is developing her work as an author in parallel. Curious to confront her writing process with the universe of other artists, she sets up a concept of artistic encounters with the MU project. Fascinated by female figures and genuinely obsessed with popular culture, her plays are based on a thread of research into the Feminine, its myths and representations (Précaire, MU – Season 2 / Anatomical Venus, Dark Marilyn(s), Là, se délasse Lilith…)