« Terre, air, feu : Acte IV »
〓 Date & Horaire 〓
Dimanche 15 septembre 2024 à 16h
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〓 Où ? 〓
Le Générateur
16 rue Charles Frérot, 94250 Gentilly
Métro ligne 14, Hôpital Bicêtre (12 minutes à pied)
Bus 57 et 184, Verdun Victor Hugo (1 minute à pied)
RER B, Gentilly (13 minutes à pied)
Tram T3a, Arrêt Poterne des Peuplies (10 minutes à pied)
Vélib (n°13111, n°42505)
Opera Earth, Air, Fire: Act IV
As part of La Métropolitaine, rendez-vous international d’art contemporain de la Métropole du Grand Paris, co-written with TRAM réseau art contemporain Paris/Île-de-France, Maxime Rossi imagines and stages an original performance exploring notions of probability, through the combination of improvised stochastic music and a Boccia (Paralympic sport) match. On this occasion, he invites composer Bastien David and his company Les Insectes, Boccia players and French champions Mathilde Troude and Mathias Da Silva, and lyric singer Marie-Claude Bottius.
The two athletes will use phosphorescent balls to create moving sounds. These balls, sensitive to movement and waves, will trigger pulses modulating a magnetic field. Boccia, a sport of Greco-Roman origin and a Paralympic discipline since 1984, aims to place its balls as close as possible to the jack to accumulate points. Precision and strategy are essential, as players can block opposing balls, move the jack to advantage their own balls, or remove opposing balls close to the jack.
.The six percussion musicians from the Les Insectes company will play on a sculptural metallophone measuring 15 meters in circumference with 216 steel blades. Microtonally tuned, it produces organic, hypnotic sounds. Its distinctive feature is its unique concert configuration, where percussionists play simultaneously on the same instrument, creating a collective sound world, sculpted using mallets, bows or other accessories. Here, the musicians’ gestures will become choreographed movements, sometimes virtuosic, sometimes imperceptible.
Lyric singer Marie-Claude Bottius will be the megaphone for vocal moments inaudible to the audience, such as the Boccia players’ preparation and rest times.
WITH:
Bastien David, a composer with a passion for new sounds, created the Métallophone circulaire, an innovative percussion instrument. The project was born during a trip to Mandalay, Myanmar, where he collaborated with piano maker Ko Aung Moe to make and tune 216 hammered steel blades. The lacquered wooden resonance boxes were finalized in France and Italy, at Villa Medici.
To explore this new world of sound, Bastien David founded the company “Les Insectes” with Arthur Bechet, Adélaïde Ferrière, Aurélien Gignoux, Elisa Humanes, Maxime Echardour, Catherine Lenert, Morgan Laplace Mermoud, Lou Renaud Bailly and François Vallet.
Mathilde Troude and Mathias Da Silva are French Boccia champions. They are accompanied by Mélissa Gaëckler and Iliès Johns. The match will be refereed by Nolwenn Leroux.
The Insects and the Boccia players will be accompanied by Marie-Claude Bottius, lyric singer, and Matthieu Gasnier, sound engineer.
On the occasion of La Métropolitaine, French artist Maxime Rossi is invited by the members of the artistic co-direction committee to imagine a playful, poetic and participative work. He signed Terre, air, feu, a synesthetic opera in 4 acts and 13 workshops.
“Earth, air, fire conceived in four highlights from May to September, links the specific programming of each venue through a playful and poetic joust, a tribute to the culture of sport and celebration.
Earth, Air, Fire places the spectator at the center of various scenarios, including the invention of a fourteenth location, a traveling hot-air balloon, a symbol of travel, discovery and creativity. At once a visual landmark in the landscape and a space for exploration where visitors can contribute to the realization of a collective work, this hot-air balloon cloud hopper moves from place to place like a hyphen, also echoing the balloons that punctuated the Paris skies during the 1924 Paris Olympic Games.
This sensory, even synesthetic opera aims to create a space for exchange where spectators can contribute to the collective construction of a narrative. It offers a sensitive approach to reflections on the ability to establish new narrative links, where the sound environment, sets and objects, costumes and lighting, are elaborated to create a disorienting and immersive experience.
As conductor of this lush composition, Maxime Rossi sows poems and harvests fruit that sings. It’s up to us to eat. “
Vittoria Matarrese, independent critic and curator
Accessibility
A document to come to the Generator in Easy to read and understand is available here : https://drive.google.com/file/d/1h2n0xeLmOlRSGdYngnCEpL5deigLUlHY/view?usp=sharing
The various areas of the Generator are wheelchair accessible. Seating is provided and the art center has sanitary facilities for people with reduced mobility.
For any questions related to accessibility, please do not hesitate to contact the TRAM team: 01 53 34 64 43 / lametropolitaine@tram-idf.fr.
This event is programmed as part of La Métropolitaine, the international contemporary art rendez-vous of the Métropole du Grand Paris, co-written with TRAM, réseau art contemporain Paris / Île-de-France. more info
Maxime Rossi
Maxime Rossi
Born in 1980, lives and works in Paris.
A 2005 graduate of the École nationale supérieure des beaux-arts de Lyon, Maxime Rossi likes to provoke telescoping between distant universes. His work defies categories to draw its forms and inspiration from multiple sources, through the kaleidoscopic prism of a complex, heterogeneous practice blending sculpture, installation, performance, scenography and video. He decompartmentalizes genres and brings together forms that a priori would have nothing in common: burlesque and art history, fanfare and opera, botany and stochastic music…

