De 20h à 23h
TP : 12€ / TR : 8€
This lady is stuck in a shuddering elevator between planets
Éléonore Didier
Performance
With the collaboration of Lila Derridj, Anne Dreyfus, Seraphine Allouard, Florence Casanave, Delphine Gildé, Cyril Leclerc & guests.
This lady is stuck in the elevator quivering between the planets. What’s left for her to do? Now a panther in the jungle, her body toned and supple, she’s going to discipline herself. Internalize the quivering and rustling. Make a definitive break with the past. Live in the timeless present. Let the original energy shine through her at last… Come closer to see better.
Come closer.
AHA
Sarah Venturi
Performance
The performance AHA is contained in its title, a palindrome, which like its double-meaning reading, evolves in opposite directions, those contained in the onomatopoeia “AH!” and those of its more antiquated form “HA! “, interjections of surprise, pleasure, admiration, fear, pain, disgust, laughter… AH is also the space of resonance where kundalini dissolves in space, HA is also the sun and a measure of space.
La Grande Ours
Mathilde Monfreux
Dance
Mathilde Monfreux finds in Kathy Acker’s feminist work Sang et stupre the initial substance of her creation placed between body, politics and literature. Here, the dancers take up a tale whose childlike imagery disguises a critique of patriarchal domination; a narrative that underpins the writing of a post-gender or pre-sex dance. With Clémence Diény, Michaël Brand, Blandine Pinon
Live music: David Merlo.
Mathilde Monfreux
Mathilde Monfreux
Mathilde Monfreux follows the Prototype choreographer training program at the Abbaye de Royaumont in 2017. She is influenced by American Post modern dance and in particular the artists of the Judson Church within which Contact Improvisation was invented. In the course of her career, she met Lisa Nelson, Nancy Stark Smith and Daniel Lepkoff.
American artists Keith Henessy, Mark Tompkins, Antonija Livingston and Jennifer Lacey, whom Mathilde met more recently, explode the boundaries between dance and performance, and interweave in their approach a whole reflection committed against a consumerist world, and in this strongly influence Mathilde Monfreux. In France, she develops her dance with circus artists (Camille Boitel, Laurent Chanel, Fany Soriano) and visual artists (Elizabeth Saint Jalmes, Robin Decourcy), working with apparatus, objects, sculptures and voice (she has worked with Anne-Laure Pigache from Harmoniques du Néon). Her choreographic work is centered on the idea of the organic body, and dialogues with other arts and more conceptual aspects. She has been teaching these body-to-body techniques for many years, based on her circus and visual arts experiences.
+ info: http://www.mathildemonfreux.com/
Sarah Venturi
Sarah Venturi
Sarah Venturi is a visual artist and performer. She has been living and working in Marseille for the past two years. Her artistic practice has been built up through study and research in the fields of visual arts, aesthetics and the performing arts (theater, dance, yoga), and more recently music. With an assertive freedom of choice of supports and mediums, notably painting and photography, her works, which often evolve on the principle of series, are created in an intuitive mode, through mutual interferences, detour, reversals, mutations, erasures, with the conjunction of opposites and a marked interest in time as their main constants.
She is co-founder with Cyril Jarton of the FMR (Fédération Mondiale de Ricochets), which since 2009 has been developing the ricochet game as an artistic practice and thought experiment.
+ info: https://sarahventuri.org/
Éléonore Didier
Éléonore Didier
Éléonore Didier has danced with a variety of artists, including Bob Wilson, Carlota Ikeda, Pierre Droulers… She began her career as a choreographer in Lisbon in 2000.
In 2005, the solo Solides, Lisboa marked a milestone in the development of her choreographic language, and in particular in her interest in immobility and the notion of emptiness.
Both as a pause in the continuity of experience, a place of interiority and observation, and as temporal matter. This singularity places her work on the edge of the choreographic and visual arts fields. Today, the practice of meditation and its transformative power is at the heart of Éléonore’s life and work. Totally renewing her questioning of space, time and matter, which research and circumstances are constantly transforming.