Large Retenue #2
〓 Date & Horaire 〓
Jeudi 12 décembre 2024 à 20h
〓 Billetterie 〓
Tarif unique 8€
► Billetterie en ligne + billetterie sur place (cash & CB).
► Événement Facebook
BATTERIE FRAGILE (Amélie Grould, YVES CHAUDOUËT), Oto Ninski, fake_trailers AKA Leonid Kotelnikov
Resonances, jolts, tensions, harmonies: for the second edition of Large Retenue, over the course of an evening of three concerts, musicians, artists and performers occupy the 400 m2 of the Générateur in complete freedom.
Through performance, experimental music amplifies, twists and mutates. Large Retenue, like an anagram of the Generator, like a paradox: the constraint of gesture and the scale of the venue invite sonic exploration.
Amélie Grould, Yves Chaudouët
Fragile battery
Music, Ceramics
The Batterie fragile is a porcelain sculpture and musical instrument designed by visual artist Yves Chaudouët.
The drum set features a number of drums and cymbals, all made of porcelain, in different shapes and sounds, depending on their formats and firings.
His prototype was made at the École supérieure d’art des Pyrénées with ceramist Marjorie Thébault, then the Batterie fragile was developed at the École nationale supérieure d’art et de design de Limoges with Jessie Derogy. Since 2016, the work has been activated by several musicians (Iker Idoate, Bernard Lubat, Valentina Magaletti, Sylvain Darrifourcq, Aurélien Gignoux…).
For Large Retenue, contemporary multi-instrumentalist Amélie Grould takes up the instrument, for an unprecedented percussive performance.
Oto Ninski
VOIR ROUGE
Performance, Music
Born of a radio performance during the October 2020 confinement, VOIR ROUGE is a hybrid, satirical one-man show halfway between contemporary clowning and harshnoise, between dream and reality. In her turbulent meditations, the creature named Fontanelle ponders violence, control, anger and its underbelly. As best she can, she tries to make her way through her thoughts and the disobedient sounds that surround her.
Oto Ninski is an experimental sound artist and musician. Plural and raw in her practice, her surrealistic explorations of contrasts and the spaces they reveal transcend genres and take many forms. Through various sound sculpture techniques, from field recording to the wall of sound, she searches in her work for vibratory extremes aiming for an abstract and sensory narrative.
Composed, written and staged by Oto Ninski
Outside view: Marie Roth
FAKE_TRAILERS aka Leonid Kotelnikov
Queer-cursed type beat
An exiled artist from Moscow’s underground scene, Leonid Kotelnikov is elusive, geographically and artistically. Between trashy BDSM actionism, cabaret theater and hyperpop/noise music, his alias fake_trailers works with chaos to destroy any musical canon or pop culture paradigm, until tangibly touching on the familiar feeling of disquieting strangeness.
Photos : Large Retenue, December 2024 © L.T.
Oto Ninski
Oto Ninski
Oto Ninski is an experimental sound artist and musician. Plural and raw in her practice, her surreal explorations of contrasts and the spaces they reveal transcend genres and take many forms. Using a variety of sound sculpture techniques, from field recording to sound walls, her work seeks vibratory extremes aimed at an abstract, sensory narrative.
His work has previously been heard in various venues: at Instants Chavirés, Périscope (Lyon), Point Éphémère, Générateur, Station-Gare des Mines, Stéréolux (Nantes), Ateliers Médicis.
Creations:
It Is Not Ok To Swim In A Lake During A Thunderstorm, audiovisual piece generated in real time.
In collaboration with Lucas Martin-Delaunay.
Created May 14, 2022, Motion Motion festival, Stéréolux, Nantes
La Foudre Vient Du Sol, sound installation
Creation in December 2019, group exhibition It Est Déconseillé De Se Baigner Dans Un Lac Lors d’un Orage, Le Doc!, Paris
To Die A Little More, composition for acousmonium.
Creation October 20, 2019, at INA-GRM, Paris
Désirs Géographes, musical composition of the eponymous piece, radio creations and installation.
In collaboration with Collectif Sirènes
Creation on June 14, 2019, following a six-month CLEA residency at Ateliers Médicis, Clichy-Montfermeil.
1000x, EP
Self-released, November 2019
Website: https://otoninski.com/
Amélie Grould
Amélie Grould
Amélie Grould is a percussionist and improviser. She comes from classical and contemporary music, but today navigates the universe of unclassifiable music, at the crossroads of many practices.
She is now part of some of the most exciting formations in the new music landscape, including Ensemble Nist Nah by Will Guthrie, Ensemble 0 by Sylvain Chauveau, Stéphane Garin, Joël Merah with whom she notably recreated Elpmas by Moondog or Femenine by Julius Eastman, AUM grand ensemble by Julien Pontvianne, Onze Heures Onze Orchestra, Ensemble Icosikaihénagone by Benjamin Duboc.
She recently joined the new projects Hypertemps by Clément Edouard with drummers Emmanuel Scarppa, Léo Dumont and Encre by Yann Tambour with Maëlle Desbrosses, Julien Pontvianne.
Since 2012, she has also performed in Superposition and Music for percussion by the no less exciting Ryoji Ikeda, which have taken her all over France (Centre Pompidou, Musica festival in Strasbourg, le Lieu Unique in Nantes…) and the world (Argentina, USA, Greece, Netherlands, Japan, Australia…).
At the Generator, she plays on Batterie fragile, a porcelain work by Yves Chaudouët.
Large Retenue #1
Kristallroll, Helio Volana, Yann Leguay & Inga Huld Hakonardottir, Abysmo
