Soirée PARTA G#1: Yann Leguay & Inga Huld-Hàkonardòttir, Geneviève Mathieu, Maëva Lu-chi-vang

An evening that explores the interplay between bodies, voices, and technologies, where sound, ritual, and communication devices become materials to be experienced. Through amplification, prophecy, and transmission, the artists craft sensory experiences that shift our ways of listening, perceiving, and being present, inviting the audience to traverse spaces where reality is reconfigured.

Yann Leguay & Inga Huld-Hàkonardòttir, No lemons no melon

Performance
At the intersection of performance and sound, Inga Huld Hákonardóttir and Yann Leguay reflect on the meanings of amplification. Drawing inspiration from both traditional culture and conceptual art, they question this compulsive quest for ever more effective communication. In a performance that makes sound visible and silence audible, Inga and Yann seek to create a vanishing point within a chaotic world, where the technical object becomes an extension of emotion.

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Geneviève Mathieu, Danseprophétique à l’île bizarre

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on the strange island

In the heart of a white forest, performance artist Geneviève Matthieu undergoes metamorphoses amid the cries and hoots of the night.
Through poetry, physical training, music, and song, she evokes a strange island where points of reference waver and where the living, memories, and invisible presences coexist in a single breath. Signs appear. Coincidences multiply. Fragments of destiny take shape before our eyes.
Somewhere between mystical ritual and pop performance, Danseprophétique à l’île bizarre invites viewers on a journey where each spectator carves out their own path.

Ji-Yoon Han, curator

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